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26.10.2019 – 22.03.2020

Free admission!

Artists & Agents – Performance Art and Secret Services



Ebene 3


Exhibition opening: Friday, 25 October 2019, 7 p.m.

From 26 October 2019, the elaborately researched international group exhibition Artists & Agents - Performance art and Secret Services will be on view at the HMKV in Dortmund, Germany. The exhibition, developed in cooperation with the Slavic Seminar of the University of Zurich, is curated by Inke Arns, Kata Krasznahorkai and Sylvia Sasse.

The exhibition focuses on the interaction between secret services and performance art – an art form that was considered particularly dangerous. Archives are accessible almost exclusively in Eastern Europe and reveal the "disruption" and "liquidation" of critical artists by state security services. For this, however, some of the agents had to become 'performance artists' themselves. Artists & Agents presents examples of artistic subversion and secret service infiltration, some of which have never been shown before. Recent works show: The question of the increasing use of secret service methods in today's politics and everyday life is highly topical.

The exhibition is featuring works by artists from Bulgaria, Chile, Croatia, the Czech Republic, Germany, Hungary, Poland, Romania, Russia, and the USA.


After 1990, many intelligence archives of the former Eastern Bloc countries were opened up for scientific research. This made it possible for the first time to examine the documentation of art through agents and the influence of the intelligence services on artistic work. Above all, the exhibition intends to show the interaction of intelligence actions and performance art in particular, which the totalitarian states of Eastern Europe were most afraid of.

The research for this project has made clear that the intelligence files reveal little about the observed, but much more about the fears and strategies of the observers. These fears and strategies, which can be traced back to the tiniest details of these acts – narrative, verbiage, abbreviations, punctuation, and omissions – are not only of particular importance to the history of art, but also contribute to raising awareness of today's democratic societies for the dangers and warning signs of dictatorships. The intelligence reports document, sometimes down to the smallest detail, artistic activities; they speak of the monitoring and "processing" ("destruction", "liquidation") of the artist scene and reveal information about the active, operative intervention of the state in the artistic production. However, not only the artists used performative techniques; also the agents had to "perform" to gain relevant information about performance art.

To illustrate the relevance of these issues for the present, the 2019 exhibition is taking place in the year which marks the 30th anniversary of the fall of the Iron Curtain. In the GDR, it was the democratic opposition (including many artists) who stormed the Stasi headquarters in 1989 in order to stop the further destruction of the files. In the run-up to the exhibition, extensive and targeted research was carried out in intelligence archives in Hungary, Poland, the Czech Republic, Romania and Germany. The exhibition will focus on examples from these countries from the years 1960-1990.


With: Alexandru Antik (RO), Tina Bara & Alba D'Urbano (DE), Kurt Buchwald (DE), György Galántai / Artpool (HU), Ion Grigorescu (RO), Sanja Iveković (HR), Voluspa Jarpa (CL), Jens Klein (DE), Daniel Knorr (RO/DE), Csilla Könczei (RO), Korpys/Löffler (DE), Jiří Kovanda (CZ), Károly Elekes / Árpád Nagy / Gruppe MAMÜ (RO), Simon Menner (DE), Arwed Messmer (DE), Clara Mosch (DE), Orange Alternative (PL), Peng! Collective (DE), Józef Robakowski (PL), Cornelia Schleime (DE), Nedko Solakov (BG), Gabriele Stötzer (DE), Tamás St.Turba (NETRAF-agent) / Gábor Altorjay (HU)

As well as files from: Political Police, Switzerland; Ministry for State Security (MfS), GDR; SSłużba Bezpieczeństwa (SB), PR Poland; Štátní bezpečnost (ŠB), ČSSR; Komitet gosudarstvennoj bezopasnosti (KGB), USSR; Belügyminisztérium (BM), PR Hungary; Securitate, SR Romania

An exhibition by HMKV (Hartware MedienKunstVerein) in cooperation with the Slavic Seminar of the University of Zurich (CH)

Funded by the German Federal Cultural Foundation and the Ministry of Culture and Science of the State of North Rhine-Westphalia

HMKV is funded by Kulturbetriebe Stadt Dortmund / Dortmunder U

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